Tuesday, March 15, 2011

Three Hamburger Paragraphs on The Taming of the Shrew

In the play The Taming of the Shrew by William Shakespeare, the character Katherine is typified as the shrew. Baptista tells Bianca’s suitors that she will not be married until Kate is married first, however, Kate is considered to be a “devil” by most of the men. Gremio and Hortensio set out to find Kate a husband so one of them can have Bianca and as a result, they find Petruchio. Petruchio says to Kate, “Thou must be married to no man but me, for I am born to tam you [Kate],” (47, 268). This establishes the meaning of the title; Petruchio is meant to tame Katherine. After the two get married, Petruchio states that Kate is his property, “I will be master of what is my own,” (65, 222). It is later revealed that Petruchio is starving Kate of food and sleep as a means of ‘taming’ her. If literature, especially Shakespearian literature, has taught us anything, it is there will be a twist/change before the play is through. This twist turned out to be a metamorphosis of Kate’s character. She turned from an uncivilized, ill-mannered and jealous woman into a polite, obedient lady. Katherine was, ultimately transmogrified.

Deceit is a major concept in The Taming of the Shrew. In the play, most characters aren’t being entirely truthful about who they are. To start, the Lord’s entire plan is to trick Christopher Sly into thinking that he is royalty when in reality, more or less, he is a low class drunk. This ploy is simply for the Lord’s cruel taste in entertainment. In the play within the play, we observe many of the characters adopting alter egos to achieve a goal that would be challenging without some trickery. Tranio becomes Lucentio, while Lucentio disguises himself as Camio, Hortensio becomes Litio, and the Merchant pretends to be Vincentio. These different disguises were used as a means of slipping through social class barriers. Tranio’s disguise allowed him to be more than a lowly servant, at least for a short while. Lucentio and Hortensio used their costumes as a way to visit Bianca. Though, all of the true identities were later exposed. On the wedding day, Petruchio says, “To me she’s married, not unto my clothes” (61, 111). This means that the clothes worn by a person does not define who they are. The person underneath will always be revealed for who they truly are.

In The Taming of the Shrew, the most prominent juxtaposition is between Katherine and Bianca. The two sisters are complete opposites of each other. Bianca is the perfect sister and the one everyone wants to marry, while Katherine is the mean and cruel sister who alienates everyone she speaks to. Act 2 Scene 1 outlines the jealousy and animosity that Kate feels toward Bianca. Katherine felt that Baptista favored Bianca, “[…] Now I see she is your treasure, she must have a husband. I must dance barefoot on her wedding day and, for your love for her, lead apes in hell” (36, 31-34). After Kate is made to marry Petruchio and he begins to ‘tame’ her, she is suddenly no longer mad at Bianca. I believe her only issue with Bianca was the fact that she didn’t want Bianca to be married before her. All of this anger went away with her marriage to Petruchio since she had developed new problems to worry about. It also may be inferred that Kate’s experience with marriage was not as glorious as she thought it would be.

Tuesday, March 1, 2011

To Kill A Mockingbird Chapters 21-31: Summary of Important Points

The Trial:
• Tom Robinson was convicted because the town could not overcome its racist nature
• “Only children weep”, further establishing the element of innocence in the novel, and how exposure past childhood and opinions can blur the truth. Also adding to this was when Atticus told Jem, “If you had been on that jury, son, and eleven boys like you, Tom would be a free man”
• Led to Bob Ewell becoming more outcast (for white person) and furthermore, his increased hatred of Atticus that led to the attack
• The coloured people showed Atticus immense respect for his efforts
• The trial builds on the theme “courage, even when you think you have lost”
Characters:
• Bob Ewell threatened Atticus who brushed it off and continued to see the good in people rather than what they are capable of
• The Cunningham’s had a change of heart toward Atticus and Tom during the trial, they needed the most convincing to say “guilty”
• Tom Robinson got killed trying to escape, possibly because he had given up hope or as Atticus said “was tired of white men’s chances and preferred to take his own”
• Jem continues to mature, while keeping some innocence and developing a greater understanding of the situations at hand
• Arthur Radley exited his house to help Jem and Scout
• Scout develops a greater understanding of Boo and doesn’t fear him
Themes and Reoccurring Elements:
• Scout no longer fears Boo because she realizes there are other, scarier things to fear. This builds on the element of childhood and growing-up
• The mockingbird symbol was further developed, they were mentioned when Tom was convicted and after his death, which was said to be, “The senseless slaughter of a songbird”. It was also mentioned along the path where the kids got attacked. It was chirping on the path when they were headed toward the school, but on the way home when they got attacked there were no sounds
• Boo was a symbol of fear at the start of the book. As Scout grew-up, her understanding of Boo matured too, especially when she was at the window
• “You never really know a man until you stand in his shoes” was a major theme throughout the book. At the end as Scout imagines herself as Boo recollecting past events for his perspective, she says “and Boo’s children needed him” (Lee, 374) showing that Boo cared for the kids like his own